Whose Music, Whose Country? Music, Mobilization, and Social Change in North Africa
Author(s):
Craig Robertson
Publication Year:
2015
Type:
journal article
Journal/Book Title
African Conflict and Peacebuilding Review
Publisher
Editor(s):
Pages:
66-87
Volume:
5
Issue:
1
Abstract:
Social change began to rapidly emerge in many North African states in 2011 and 2012, and this process continues today. Music has been embedded within this process from the beginning and has been a key feature in street protests and expressing group identity that opposed the status quo at the time. The situation has since become extremely complex as group identities have split and merged, but in the early days of social change in Egypt, Tunisia, and Libya, music was used by professional and amateur musicians as well as non- musicians for several purposes, namely, to express a more generalized group identity, to capture the moment of the protests, and to propagate information about the situation to a wider Arab diaspora and gain support from them. Conversely, the state also used music at this time as a form of social control by promoting music that was uncritical to marginalize the challenging music.
Citation (Chicago Author-Date):
Robertson, Craig. 2015. “Whose Music, Whose Country? Music, Mobilization, and Social Change in North Africa.” African Conflict and Peacebuilding Review 5 (1): 66–87. https://doi.org/10.2979/africonfpeacrevi.5.1.66.