The Promise of Sonic Translation: Performing the Festive Sacred in Morocco
Author(s):
Deborah A. Kapchan
Publication Year:
2008
Type:
journal article
Journal/Book Title
American Anthropologist
Publisher
Editor(s):
Pages:
467-483
Volume:
110
Issue:
4
Abstract:
How do international music festivals produce experiences of the sacred in multifaith audiences? What is their part in creating transnational communities of affect? In this article, I theorize what I call "the promise of sonic translation": the trust in the ultimate translatability of aural (as opposed to textual) codes. This promise, I assert, produces the "festive sacred," a configuration of aesthetic and embodied practices associated with festivity wherein people of different religions and nations create and cohabit an experience of the sacred through heightened attention to auditory and sense-based modes of devotion conceivd as "universal." The festive sacred is a transnational (thus mobile) phenomenon inextricable from the enterprise of sacred tourism. Such festive forms not only produce a Turnerian communitas but also create new transnational categories that mediate religious sentiment and reenchant the world.
Citation (Chicago Author-Date):
Kapchan, Deborah A. 2008. “The Promise of Sonic Translation: Performing the Festive Sacred in Morocco.” American Anthropologist 110 (4): 467–83. https://doi.org/10.1111/j.1548-1433.2008.00079.x.