The word ‘space’ has gained visibility in peacebuilding literature over the last few years, especially in literature on the dynamics of local peacebuilding processes. Regarding these processes, spatial approaches have extended knowledge of the role that narratives of space play in shaping individual and collective experiences of peace. These narratives include the contested meanings attributed to local landmarks or how notions of ‘safe space’ inform the design of peace-focused activities in particular communities. Adding to the complexity of usage around the term, musical performance itself has been described as a space through which communities can imagine and enact peace. Given these multiple understandings, engaging in a sustained discussion of the word space is an opportunity to identify ideas and approaches that can bridge emerging discourses on local peacebuilding processes and their relationship to music.