There are many possible readings of a music project taking place in a territory under occupation. By paying attention to the context, values and interests of actors involved in the Music Collaboration between Palestine and Norway (2002–2017), this chapter uses Boltanski and Thévenot’s framework of justification to examine possible narratives of the project. Three main narratives stand out, namely, a civic, inspirational and (development) industry one, all of which are tightly interwoven.