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Associate Research Fellow Elaine Sandoval awarded PhD

February 1, 2022

Elaine Sandoval

MOMRI congratulates Associate Research Fellow Elaine Sandoval on completing her PhD in Music from the Graduate Center, City University of New York.

Her dissertation, "Music Pedagogy in Venezuela’s Plains: Making Space in Alma Llanera," was successfully defended in December 2021, to a committee of Peter Manuel, Eliot Bates, Julie Skurski, and Ludim Pedroza.

The abstract of her dissertation is as follows:

This dissertation argues that the process of institutionalizing traditional música llanera (plains region music) education in Venezuela is informed by a hierarchical spatialization of the capital, Caracas, and the historically agricultural- and livestock-producing region known as the llanos, or the plains. Drawing on Lefebvre’s The Production of Space (1991), I argue that the representations of space that have defined the llanos region and música llanera often obscure the lived space of music-making and dwelling in the llanos. This dissertation is based on fieldwork in Guárico state between 2016-2018, where I observed the state-funded Alma Llanera program, which had been recently added to Venezuela’s famed national system of orchestral music education, El Sistema. Many critiques of the institutionalization of traditional musics draw on theories of race and coloniality developed in the academy of the Global North. Instead, my ethnography demonstrates that the production of local spatial categories is more salient for understanding how música llanera is practiced in these programs. I demonstrate that the formation of the llanos as a periphery and as a racialized “natural” region to be preserved for nationalism informs how Venezuelans outside the llanos conceive música llanera. This conceptualization is distinct from how música llanera is defined, valued, and performed in the llanos, which in turn informs Alma Llanera’s pedagogical practices of orchestration, use of music notation, and extra-musical technique. I argue that these practices evidence local concepts of justice which include access to state oil wealth, granting authorship to musicians, and promoting self-sufficiency in daily llanos life.

Elaine's dissertation was nominated for the CUNY Barry S. Brooks Dissertation Award and the Outstanding Dissertation Award of the Council for Research in Music Education. She is now appointed as Research Fellow for MOMRI.

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MOMRI's Latest

Associate Research Fellow Elaine Sandoval awarded PhD

February 1, 2022

Elaine Sandoval

MOMRI congratulates Associate Research Fellow Elaine Sandoval on completing her PhD in Music from the Graduate Center, City University of New York.

Her dissertation, "Music Pedagogy in Venezuela’s Plains: Making Space in Alma Llanera," was successfully defended in December 2021, to a committee of Peter Manuel, Eliot Bates, Julie Skurski, and Ludim Pedroza.

The abstract of her dissertation is as follows:

This dissertation argues that the process of institutionalizing traditional música llanera (plains region music) education in Venezuela is informed by a hierarchical spatialization of the capital, Caracas, and the historically agricultural- and livestock-producing region known as the llanos, or the plains. Drawing on Lefebvre’s The Production of Space (1991), I argue that the representations of space that have defined the llanos region and música llanera often obscure the lived space of music-making and dwelling in the llanos. This dissertation is based on fieldwork in Guárico state between 2016-2018, where I observed the state-funded Alma Llanera program, which had been recently added to Venezuela’s famed national system of orchestral music education, El Sistema. Many critiques of the institutionalization of traditional musics draw on theories of race and coloniality developed in the academy of the Global North. Instead, my ethnography demonstrates that the production of local spatial categories is more salient for understanding how música llanera is practiced in these programs. I demonstrate that the formation of the llanos as a periphery and as a racialized “natural” region to be preserved for nationalism informs how Venezuelans outside the llanos conceive música llanera. This conceptualization is distinct from how música llanera is defined, valued, and performed in the llanos, which in turn informs Alma Llanera’s pedagogical practices of orchestration, use of music notation, and extra-musical technique. I argue that these practices evidence local concepts of justice which include access to state oil wealth, granting authorship to musicians, and promoting self-sufficiency in daily llanos life.

Elaine's dissertation was nominated for the CUNY Barry S. Brooks Dissertation Award and the Outstanding Dissertation Award of the Council for Research in Music Education. She is now appointed as Research Fellow for MOMRI.

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